graham joyce: May 2008 Archives

Wayne's Girlfriend.

|

I'll be doing two events at the Hay Festival this year, one on the official programme and one on the Fringe programme.  Come to both, why don't you.  The first is on Sat 31May in the morning, in conjunction with Sue Gee.  Then in the afternoon I'll be making an appearance at Hay Library at 2.00pm.  Hay festival usually has a good children's programme, so I'll try to entice the savages along.  Last time I took them with me to a lit festival it was in Brittany. We were invited to the St Malo mayor's reception in the quadrangle of the town hall.  Very posh, with oysters and champagne and crowded out with famous authors.  And less famous ones it has to be added.  Anyway even though it was the hottest ticket in town, the savages though it was all a bad joke.  I'd told them they were on holiday in France and yet there they were, imprisoned with dozens of deeply boring writers.  They kept yawning theatrically and doing rude impressions of oyster sucking, champagne guzzling authors and journalists.  I don't expect they'll want to be introduced to Ian McEwan then.  Nor me actually.

 

Ella:      "It's really just a lot of very greedy people, isn't it?"

Me:      "What??  What is?"

Ella:       "This so-called party"

Me:      "What do you mean so-called?  It is a party!  What do you expect: jelly and ice-cream?"

Joe:      "No it's not.  It's just people drinking and pretending to go Ho Ho Ho."

Me:      "Look, I won't bring you again!"

Ella and Joe: "Thanks Daddy!"

 

I've done something to make Ella profoundly unimpressed with writers and the writing game.  'Not be a writer,' is how she answers anyone who asks her what she'd like to do on leaving school.  It doesn't seem to make any difference that everyone else under the sun seems to want to be a writer, especially the super-famous.  Madonna: writes children's stories.  Paul McCartney.  Ditto.  Ginger Spice.  Ditto.  Wayne Rooney's girlfriend - and this is true - has just signed a five book deal with Harper Collins, for five adult novels.  How can she write adult novels?  She's only, what, seventeen or something like that.  Not that she will be writing them in the sense of arranging words in the best possible order, of course, but what do you we tell aspiring writers?  That you need to be a footballer's girlfriend or a grotesquely rich pop star to be a writer?  Let's change the subject.  I feel a haemorrhage coming on.

 

Oh no, haemorrhages everywhere you look.  I was a bit shocked to see Boris de Pfeffel Johnson win the race to become mayor of London.  What with the fact that his old Etonian chum David Cameron is now ten points ahead in the opinion polls I wonder if it all flags the re-emergence of forelock-tugging deference voting and the restoration of the glorious toffs.   Boris has arrived in his position as mayor not because of his demonstrable political ability but the very opposite; and not for his accomplishments but for his gaffes.  His is indeed funny.  He's like the twentieth century never even happened.  He talks like he has a mouth full of pebbles, like the permantly-sozzled old ventriloquist dummy Lord Charles and he actually calls black people picaninnies.  Boris has got everythinng except the monacle.  He even helped his friend the convicted fraudster Darius Guppy try to get a journalist beaten up, and that didn't work against him in the polls!  He's such a toff he is on Youtube showing that he doesn't know the difference between rugby and football.  And the people have lapped it up and voted for him, because he's a "character".  Boris is something like the original member of the Raving Monster Loony Party.  Even a middle name of de Pfeffel didn't put people off.

 

Democracy is in big trouble.

 

Meanwhile the Labour party bye-election campaign in Crewe has been criticised because they've been portraying the Tory candidate as a Top Hat Toff.  He is indeed a Toff millionaire but for some reason they're not allowed to say that and it has been suggested that the campaign might work in his favour.  The trouble is that Labour Party can no longer claim to represent the aspirations of the Working Class.  There is no longer any such party.

 

Though of course we're not allowed to say that there is still a class war raging, either.  Even though the rump end of the old Working Class (I mean the strata who buy but can't afford 54 inch plasma TV screens) are either despised and ridiculed on those same plasma TV screens as Chavs or sent to Iraq and Afghanistan.  I watched on (my much smaller) TV the Duchess of York going into a housing estate in Hull "to help fat people".  I had to view it all from behind the sofa.  To be truthful, Fergie has had some terrible abuse, and the family and the Duchess bonded over a history of shared misery.  But the class system of the UK was presented here stark, shivering and naked.  The Hull family, living on the breadline, were overcome with gratitude that someone appeared to care about them.  They responded to the Duchess as if she were a fairy godmother who might turn a pumpkin into a royal coach and mice into liveried footmen.  This "ordinary" family were all on the edge.  They joked and laughed, but when asked to talk about their situation, every one of them dissolved into tears.

 

I think a lot of people are living on the edge.  And there is no longer any political aspiration left in the country.  Even the Tories have copied the Labour Party and given up on ideology.  Perhaps they know that ordinary families from Hull and elsewhere will either not vote at all or they will happily vote for a joke candidate.  Give it the buffoon.  With professional buffoons elected to office, and footballer's WAGs contracted as novelists, from where I'm sitting today it all feels like the last days of Rome.

 

In an appropriately titled anthology about super-heroes called Who Can Save Us Now? I have a new short story.  The anthology is edited by Owen King and John McNally, out in the US in July.   My effort is called The Oversoul.  Apart from my recent Seamus Todd story in The Paris Review, which was a stand-alone extract from my forthcoming novel Memoirs Of A Master Forger, this is the first short story I've turned out in years.

 

I hope I don't go the whole hog and retreat back into writing poetry.  I cringe to confess that I was a poet in my twenties, and one of my really bad poems earned me the George Fraser poetry award, which was judged by Monica Jones, mistress and muse to Phillip Larkin.   I have this fun fantasy of her and Larkin sipping sherry in their flat and having a great time slagging off my poem.  So it must have been a bang to the head that made me kick around an idea for a new poem recently.  Luckily for me some local friends of mine, Damien and Lydia, encouraged me to attend Word, the slam poetry event in Leicester.  Recent headline-guest poets at the venue have been astonishing and mind-numbing, acting on me like a timely, homeopathic antidote to the idea of continuing with poetry at all. 

 

Though I do subscribe to the idea that writers should be able to turn their hands to all forms and all genres.  I was trying to say something like this recently while on a panel at the excellent alt.fiction event in Derby.  Trouble is we'd been aggressively forced to drink red wine from mid-day onwards and by 6.30 - when this panel took place - the mood of some of the panel (well, this one anyway) - had become rather excitable.  "We are writers; we are writers; we are writers" I might have said, thumping the table.  "I didn't quite get your third point," said either Phillip Palmer or Mike Marshall Smith, who were my fellow panel-beaters.  I think I'll have to behave better at the Hay festival, which is a much more gentile environment.

 

I thought I lived in a gentile environment in my leafy suburb of Leicester until there was a drive-by shooting on our street the other night.  Shots were fired from a speeding car at another vehicle in some kind of Al Capone style raid.  Suzanne and Joe crossed the intersection where this took place twice, a couple of minutes either side of the event but without seeing anything.  Shudder

 

Anyway, never mind that the drugs gangs are taking over the streets; never mind that democracy is eating itself, I'm off to Hay-on-Wye literature festival to listen to Wayne Rooney's girlfriend talk about narrative structure.

 

Come and say hi.

Well, That's Summer Dusted

|
 

Well, that's summer dusted off.

 

 

Hay Festival was bloody good.  I got to meet up with Jayne Evans, Hay's uber-librarian and someone I hadn't seen since college days in Derby, oh, ummm, duh, twenty-five years ago.  She said last time we met we were in a pub and I called her an "armchair Socialist", and she hadn't forgotten.  Jayne, it's what I called everyone on the left who didn't happen to agree with me.  It was designed to make me sound much more of an activist than anyone else when in truth what I was, by contrast, was probably a "languish-all-morning-in-bed Socialist". Anyway we met up and had a fun lunch to catch up after I'd done my festival appearance.  Later she twisted the arms of a few of her friends to come down to the library to give me a further good listening to, and it was great to see her.

 

We stayed in a pretty cottage near Hay owned by the Robinsons and when we arrived there was a lamb that had got itself stuck in the fast flowing running stream outside their door.  Sue, action woman and farmgirl, jumped out of the car, pulled on her boots and paddled upstream to shepherd it towards Sophie Robinson, who had splashed into the stream on the other side.  Sophie emerged from the stream with a dripping, tiny lamb in her arms to say, 'Hello, are you staying in our house?'  Sophie is an illustrator and Bruce Robinson, amongst many other things, wrote the scripts for Withnail and I and The Killing Fields.    What a great couple.  And Sophie, with that lamb in your arms you had us on hello. 

 

The Festival itself was a quagmire.  Actually with all the sandbags you had to step around it was reminiscent of the Somme.  The savages of course were rather bored and superior as usual, dodging introductions to this or that author, until that is we encountered Dr Who's assistant! in the green room.  Suddenly I went rocketing up in the savages' miserly esteem, because now we could rub shoulders with Dr Who's assistant!  Yes!  Catherine Tate, there to do a talk (just like your Dad is, I tried to point out to the savages, but they were too busy staring, hypnotised by the mere proximity in relative time and space to Dr Who's assistant!  Joe at the time has his arm in a cast (bit of unfortunate goalkeeping, on the back lawn, with me) and we asked Dr Who's assistant! if Dr Who's assistant! would possibly sign it.  Catherine Tate was very obliging and funny and suddenly the savages thought all this crashingly dull literary festivals routine might not be so bad after all.

 

Well, the quagmire that was Hay was merely a foreshadowing of what was to come.  If you didn't leave the greensward of these sceptred isles then you'll know that summer came for about three hours before creeping off into the chilly Autumn night about mid August.  Anticipating thus, we hauled the savages off to France for a bit of necessary solar top-up.  'What's that bright object in the sky?' Joe wanted to know.  'It's mythological,' said Ella, who is chomping through twelve books a week on average and collecting words bigger than she is.  'It's the Sun,' I said, 'and you're going to have to rub this warp factor 20 cream into your pale English skins.'

 

Alf from down the road had generously loaned us his gonflable boat and we slung it in the back of the truck and did a brace of fortnights in Britanny and the coast of Aquitane before the inevitable long drive back to the gloom and murk of the sun-cheated homeland.  (I think it's because Great Crested Orcs have been elected as mayor of London and in parliament that we're having such dismal weather.)  We're even deprived of a good crisp snowy winter these days: England soldiers on under one year-long mizzling grey blanket.  So, a near lethal skin-crisping solar assault on the skin follicles was just what the doctor might have ordered.

 

On a beach in Brittany the children encountered a delightful polpikin - which is the local word for a kind of spirited elfin or pixie creature - in the form a little girl called Marguerite - who danced into their lives, led  them a merry chase across the sands and insisted they go home with her.  Before that, with the waves looking a little threatening, Joe and Ella had to ride shotgun, making sure that the delightful Marguerite came to no harm.  I watched as she danced her way into the water and Joe gently led her out; only to see her go back in again and for Ella lead her gently out; only to see this repeated eight or nine times.  Joe ran up the beach, looking a bit sweaty.  'What do you do when a little kid won't do what you tell them?' he seriously asked me.  I felt like that ancient and white-bearded sage who sits cross-legged on a mountain peak, blinking at least twice before offering some impenetrable or gnomic answer.  'Ah,' I said to him, holding one finger aloft.  'A good question.'

 

Her parents, Bertrand and Edith, invited us back to their extraordinary house stuffed with art, carvings and musical instruments, and turned out to be charming and inspirational.  Marguerite, who is three, gamely announced that she would like to marry Joe, so we look forward to that.

 

Meanwhile I learned that my story "An Ordinary Soldier of The Queen" published in The Paris Review has won an O.Henry short story prize in the US.  That's all right then, because the story forms part of my forthcoming novel.  And here's the thing about my forthcoming novel.  It has two titles and two authors.  Here in the UK the novel is titled Memoirs of a Master Forger under the pseudonym William Heaney.   The US edition from Nighshade Press will be How To Make Friends With Demons by, in case this is boring you to the point of narcolepsy, Graham Joyce.  It's the same book.  Yes.  So why the pseudonym?

 

 'Ah!  A good question.'

 

Well amongst the themes of the novel are matters of faked papers, forged books, fraudulent poetic persona, plagiarised publication, demon-infested manuscripts... and so on.  Further, so much of what is written today as memoir (all the misery memoirs) turns out to be fraudulent or gross exaggerations, so it is also a comment on all the faked books and ghost-written crap in publishing today.  Fake memoir, which is really fiction, outsells fiction.  So it seemed a wizard prang to use a pseudonym, to add to the layers of forgery, as it were.  But then none of us wanted Memoirs of a Master Forger to be a truly fake memoir (the subject matter is too outrageous anyway) and I also wanted everyone to know it's by me.  But Jeremy at Nightshade in the US didn't go for it, and though I love him like a brother he's a tough guy to argue with.  So in The US it's a Graham Joyce book with the title How To Make Friends With Demons. 

 

I never claimed to be an uncomplicated person.

 

On a completely different note I've sold a footballing memoir to Mainstream.  It's about goalkeeping.  No it isn't fake: in the book I let lots of goals in.  Anyway it's called Simple Goalkeeping Made Spectacular and I hope it's a laugh.  The thing was inspired by the England Writers Football team, and if you want to know more about that you can look here: http://writersteam.co.uk  The book should be out later in 2009.

 

Finally, that Catherine Tate signature on Joe's plaster cast.  Shortly after the Hay festival in an episode of Dr Who the Catherine Tate character Donna was returned to her original life, and had her memory of her travels with Dr Who wiped from her mind.  We were all a bit sad about that in the Joyce household.  Anyway Joe went to bed that evening, and overnight the Catherine Tate signature mysteriously faded from his cast.

 

Ooh-yah!  As they say in Leicester.

About this Archive

This page is a archive of recent entries written by graham joyce in May 2008.

graham joyce: August 2008 is the next archive.

Find recent content on the main index or look in the archives to find all content.

Categories

Pages

Powered by Movable Type 4.1